Matt Price

Contemporary art editorial, writing, curating, research, consultancy
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Selected Editorial Projects


Dani Marti - (Editor)

Hatje Cantz, Germany (forthcoming)


Louis Vuitton / Marc Jacobs - (Transcription)

In association with the Musee des Arts Decoratifs, Paris

Rizzoli, New York


Lucy Liu - Seventy Two - (Editor)

Salma Editions, London


Vitamin P2 - New Perspectives in Painting (Project Editor)

Phaidon, London, 2011


Xu Bing - (Co-editor)

Albion Editions, London, 2011


The Witching Hour – Darkness and the Uncanny (Editor)

Arts & Business, London, 2010


Art of Ideas – Collecting, Collections and Collectors (Editor)

Arts & Business, London, 2010


September – A History Painting by Gerhard Richter (Editorial manager)

Editions de la Difference, Paris, 2011 (French edition)

Tate Publishing, London, 2010 (English edition)

Koenig Books, Cologne (German edition)

 

Sound in Z: Experiments in sound and electronic music in early 20th Century Russia (co-editor with David Rogerson)

Sound and Music, London, and Koenig Books, Cologne (forthcoming)

 

The Campana Brothers – Complete Works (So Far) (co-editor with Dung Ngo and Lelia Arruda)

Rizzoli, New York, and Albion Editions, London (March 2010)

 

Graham Chorlton - Hotel Minerva (editor)

Master Piper, London (March 2010)

 

Justin Mortimer - In Your Own Village (editor)

Master Piper, London (January 2010)

 

September – A History Painting by Gerhard Richter (proofreader)

Heni Publishing, London, 2009 (pre-launch edition)

 

Ai Weiwei and Herzog & de Meuron: Beijing, Venice, London (co-editor with Charles Merewether)

Albion, London, 2008. Distributed by Koenig Books

 

AVL – SlaveCity (editor)

Albion, London, 2008. Distributed by Art Data

 

Jaume Plensa – Save Our Souls (editor)

Albion, London, 2008. Distributed by Art Data

 

David Adjaye – Horizon/Monoforms (editor)

Albion, London, 2007-8. Distributed by Art Data

 

Jitish Kallat – Unclaimed Baggage (editor)

Albion, London, 2007. Distributed by Art Data

 

Kristian Ryokan (editor)

Albion, London, 2007. Distributed by Art Data

 

Binary Oppositions (editor)

CITRIC, Brescia, 2007

 

Damien Hirst: In the darkest hour there may be light (copyeditor with Melissa Larner) 

Serpentine Gallery and Other Criteria, London, 2006

 

Hearing Voices, Seeing Things (copyeditor)

Serpentine Gallery, London, 2006

 

China Power Station (editor)

Serpentine Gallery, London, and Fused magazine, Birmingham, 2006

 

ArtReview (deputy editor, 2005-6)

 

Flash Art International (managing editor, 2004-5)

 

Flash Art International (sub-editor, 2003-4)

 

Fused Magazine (visual arts editor, 2001-3)

 

The Young Baron (editor) 2003

 

The St Dunstan’s Experiment (editor) 2002

 

Starland (editor) 2001

 

Hans Ulrich Obrist (transcribing, editing, sub-editing and proofing) 2001-3